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The Shoppe at Somerset

GOLDEN Artist Colors® Gel Mediums
and more!

We are very happy to offer select products from GOLDEN Artist Colors® at The Shoppe at Somerset. The May/June 2004 issue of Somerset Studio® features an article in the Mélange section on a workshop conducted by Artist Barbara DePirro, one of a national and international group of thirty professional Working Artists sponsored by GOLDEN Artist Colors®. After seeing her work, we knew we just had to offer some of these amazing products!


Gel Mediums
Heavy Gel (Matte) Medium
This great Heavy Gel Medium has so many uses in an artist's studio. It can be blended with acrylic paints to allow you to add texture to your surfaces. But one of the handiest applications we've found is to use them as a powerful adhesive! Click here to see a sample!
Net weight 8 fl. oz. (1/2 pint) / 236 ml

Price: $9.95
SKU: 5GO-3060
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Soft Gel (Gloss)
Thinner than GOLDEN® Heavy Body Acrylics, Soft Gels are pourable, holding only soft peaks. This product is an excellent glue for collage because it works with the various sizes and thicknesses of the elements. When mixed with a small amount of color, the gloss produces a brilliant glaze. Soft Gel Gloss is the medium used in Mélange for the photocopy transfer technique, as well as for creating gel transfer skins.
Net weight 8 fl. oz. (1/2 pint) / 236 ml
Price: $9.95
SKU: 5GO-3010
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Regular Gel (Matte)
This product has a creamy consistency, and is ideal for extending paint for economy and regulating translucency without altering the paint thickness. This gel holds moderate peaks and texture. It is also an all-purpose glue to be used in any collage and assemblage work. Regular Gels are translucent when dry.
Net weight 8 fl. oz. (1/2 pint) / 236 ml
Price: $9.95
SKU: 5GO-3030
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Gesso
GOLDEN® Gesso is an all-acrylic liquid ground for preparing surfaces for painting. It offers an excellent surface for adhesion of acrylic and oil paints. It is often used to prepare canvas for painting. This gesso remains flexible when dry, so we like to use it in our altered books, too.
Net weight 8 fl. oz. (1/2 pint) / 236 ml
Price: $9.95
SKU: 5GO-3550
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Black Gesso
Used for the same applications as the GOLDEN® Gesso, this gesso is pure black, and is sometimes the background color needed for that special project. Black Gesso provides a rich, matte black ground. Many colors, especially metallic and interference colors look dramatically different on a black ground. The Black Gesso is also flexible when dry, and can add variety to the effects in your altered books.
Net weight 8 fl. oz. (1/2 pint) / 236 ml
Price: $10.95
SKU: 5GO-3560
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Interference Gold (Fine) Acrylic

The latest addition to our collection of GOLDEN® Artist Colors and Mediums is this luscious Heavy Body Interference Acrylic Color. Interference Gold (fine) is gorgeous by itself, and it has a different appearance depending upon whether you use it on a light or a dark background. Interference is the naturally occurring phenomenon you see on objects in nature such as a butterfly wing or abalone shells. This is the paint used to create our “Silk Fabric Alteration” sample in The Studio. Artist Linda Blinn mixed this Interference Gold Acrylic with the Quinacridone Fluid Acrylics to achieve a beautifully shimmering piece of fabric that feels like paper. Because these paints remain flexible, they can be used on fabrics as well as a multitude of other surfaces. This Heavy Body Acrylic comes in a 4 fl. oz. jar.

Interference Gold (Fine)
Acrylic (4 oz.)

Price: $16.75
SKU: 5GO-4040
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Quinacridone Fluid Acrylics

These small but mighty bottles of fluid acrylic pigment are one of the most versatile tools in an artist’s arsenal. You can use these pigments to alter the colors of existing fabrics, producing an “instant” set of color-coordinated fabrics to use in her projects. These Fluid Acrylics mix with the Gel Mediums, providing even more textures and effects for your creative projects. Net wt. 1 fl. oz. / 29.5 ml

Quinacridone/Nickel Azo Gold
Fluid Acrylic (1 oz.)
Price: $5.95
SKU: 5GO-2301
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Photos and techniques from page 71 of Mélange (Somerset Studio® - May/June 2004):

 

Soft Gel Gloss is used as an “applied photo copy transfer.” This means the copies must be made on a toner copier (not a laser or ink-jet copier).

For the background Barbara combined Pyrrole Red, Gold Green and Ultra Marine Violet, then coated the board with Polymer Medium Gloss. The application of Soft Gel Gloss prepares the surface to receive the image, which is placed ink-side down, then burnished. After it dries, the paper is sprayed with water and gently rubbed to be removed. The image remains.

Another technique is to create a gel transfer skin using a plastic sheet or tray. The image is placed face-up on the plastic surface and held in place while coated with Soft Gel Gloss. After it dries, the process is repeated seven times and left to dry overnight. To remove the paper, soak in warm water until saturated and rub off the paper leaving the image on the film. Barbara used her own photographs from France and Italy.

 

Check out the wonderful samples below:
 

Starry Notepad
by Mona Gettmann

Paint Black Gesso (5GO-3560) onto a star corner, that has been cut off of an 8” Stars & Stripes Timeless Tin (5AE-149). Let dry. Apply Lumiere Metallic Copper (5JQ-564 - Discontinued) and Lumiere Pearlescent Turquoise (5JQ-571 - Discontinued) lightly to the panel. Sand off the top edges of the design. ApplyLumiere Metallic Copper (5JQ-564 - Discontinued) to a Black Lace Stickies Notepad (5AILACEBLK - Discontinued) and wipe away excess. Glue the prepared tin panel to the notepad.

Stars & Stripes Box
by Mona Gettmann

Using a stylus, score approximately 2” in from the edges, on all sides, of a 8” Stars & Stripes Timeless Tin (5AE-149). Cut off the corners of the tin with scissors. Fold the sides up, creating a box. Apply Copper Foil Tape (5TAPE-CPR14 - Discontinued) to the corners and along the top edge. Apply flux to the foil tape and solder with a soldering iron. Paint the sides with Lumiere Pearlescent Blue (5JQ-570 - Discontinued) and Golden Quinacridone Red paint (5GO-2310 - Discontinued), as shown. Let dry. Sand off the top edges of the design. Apply Golden Quinacridone Gold paint (5GO-2300), Black StazOn ink (5TS-BLACK) and white Brilliance ink to give distressed effect. Place a silk plant and three stars into the box.

La Femme du Mer
By Anita Byers

The beautiful assemblage, "La Femme du Mer", created by Anita Byers and featured in Somerset Studio July/August 2004, uses the Heavy Gel (Matte) (5GO-3060) to adhere the seashells. It dries clear, and holds the shells securely.

 

Silk Fabric Alteration
By Linda Blinn

Start with a piece of Dupioni silk fabric. Prepare a palette (we used a paper plate) with some GOLDEN Interference Gold (fine) Acrylic (coming soon to The Shoppe at Somerset...watch for it here!). Squeeze some Quinacridone Gold (5GO-2301) near the Interference Gold, and blend together with a foam brush, loading more Interference Gold on one side of the brush, and gradually adding more of the Quin Gold. Brush the paints onto the silk, blending as you wish. This paint gives great coverage on the silk. Add more Quin Gold and work back into the previous color. Continue with other colors of the Quinacridone Fluid Acrylics and Interference Gold, blending as you wish and working each one into the previous color. For this sample we used Quinacridone Crimson (5GO-2290), then Quinacridone Magenta (5GO-2305 - Discontinued), and finally Golden Quinacridone Red paint (5GO-2310 - Discontinued) to complement the Quinacridone Gold. You’ll be amazed at the results you get from this technique. After it has dried, you have a one-of a-kind piece of art fabric, and the texture of the fabric now has a paper-like quality. StazOn ink (5TS-BLACK) works well for stamping on the painted silk. Foil can also be applied to the surface using a small heating tool or foil glue. Embellishments can be sewed or glued on to the silk making it appealing for both paper and fabric projects.

Can’t you just see this fabric as a cover for an art journal, or as the base for a stamped and collaged creation?

 
Lucky Seven
by Debbie Metti

To begin, cut a piece of 140 lb.coldpress watercolor paper into 3-1/2” by 2-1/2” pieces for the base for each ATC. Paint ATC base with Lumiere paints and allow to dry. Stamp image (Stampers Anonymous) with black ink. The first card shows this base, which was created in multiples to be used as the base for an ATC series. The finished card shows a wash of Quinacridone Gold (5GO-2301) applied to part of this background to “age” the color and give added interest to the card surface. Apply the Quinacridone Gold to a plastic game piece, let dry, and glue to card using Regular Gel Matte (5GO-3030) as the glue. Weight this down to dry. Embellish card with letters and numbers from Copper Alphabet Tiles (5ST-AC917C). Glue a faux gem to the game piece, and a type key sticker to the lower corner of the card. Cover the sticker with a Medium Circle Blank Page Pebble (5MA-22923 - Discontinued) for added dimension.

 

Solstice
by Debbie Metti

To begin, cut a piece of 140 lb.coldpress watercolor paper into 3-1/2” by 2-1/2” pieces for the base. Moisten the watercolor paper with water. Load just a bit of Quinacridone Gold (5GO-2301) on a large watercolor brush. Concentrate the pigment at the center of the card, and then gradually let it wash out as you move the brush in a circular motion around the card. Allow to dry thoroughly. Stamp Solstice Post (M4725) in black ink at the center of the card. Spell out words using Copper Alphabet Tiles (5ST-AC917C) Attach red stones and sun charm using GOLDEN® Regular Gel Matte (5GO-3030). Highlight areas with Lumiere paints.

time, time, time
by Debbie Metti

To begin, cut a piece of 140 lb.coldpress watercolor paper into 3-1/2” by 2-1/2” pieces for the base. Paint card surface with Quinacridone Gold (5GO-2301) to get desired effect. Let dry completely. Stamp Letters & Time (C8213) with black ink. Pinch letters from Metal Type Collage Sheet (5ARTYPE) using 1/2” Lever Circle Punch (5MU-LVCP40) and affix to front of card. Cover each letter with a Medium Circle Blank Page Pebble (5MA-22923 - Discontinued). Spell out “time” in both capital letters and lowercase letters from the Copper Alphabet Tiles (5ST-AC917C). Add Lumiere paints to highlight as desired.

Always Pals
by Debbie Metti

To begin, cut a piece of 140 lb.coldpress watercolor paper into 3-1/2” by 2-1/2” pieces for the base. Paint card surface with Quinacridone Gold (5GO-2301) to get desired effect. Let dry completely. Stamp Forget Me Not (M4723) in black ink. Spell out words using Copper Alphabet Tiles (5ST-AC917C). Cut image of children from Slide Collage #4 Glossy (5RL-CS14M - Discontinued) and glue to card. Highlight image and letters with Lumiere paints as desired.

 

Simple Time
by Debbie Metti

To begin, cut a piece of 140 lb.coldpress watercolor paper into 3-1/2” by 2-1/2” pieces for the base. Prepare ATC surface with Black Gesso (5GO-3560). When dry, stamp Letters & Time (C8213) using Encore Ultimate Metallic Ink. Paint random swatches of Lumiere metallics to finish the card.

So Sad…too bad!
by Debbie Metti

To begin, cut a piece of 140 lb.coldpress watercolor paper into 3-1/2” by 2-1/2” pieces for the base. Prepare ATCs by painting with Black Gesso (5GO-3560) and allow to dry. Paint streaks on this surface with Lumiere paints in desired colors and allow to dry. Stamp child’s face from Children’s Faces Cube (C8234) on vellum and mount in a black slide mount. Color image on the back of the vellum for a soft effect. Highlight with Lumiere. Glue mounted image to ATC and embellish with a faux gem. Spell out words using Copper Alphabet Tiles (5ST-AC917C), and “antique” them by rubbing with burnt umber acrylic paint.

 

 

Bloom ATC
by Mona Gettmann

Paint a watercolor panel with Black Gesso (5GO-3560). Stamp Dandelion Print (C8401) with blue Opalite ink and sponge the edges with the same ink. Heat set the ink. Punch out six flowers from a sheet of lavender vellum from Pastel Vellum Papers (5HT-3090 - Discontinued). Sponge the flowers with the Opalite ink and apply lavender Pearl Ex powder. Heat set the ink. Align the flowers together to create three flowers. Stitch black buttons from to the center of each flower with silver thread. Attach the flowers to the panel, as shown. Smudge Black Gesso and lavender Pearl Ex on Silver Letter Tiles, spelling Bloom. Attach the letter tiles to the left side of the panel. Glue three leaves from Collected OBJECTS for Creative Minds (5SB-OBJECTS) and black flower rhinestones from Accent Kit - Classic (5PB-AKCLASS - Discontinued) to the panel, as shown. Attach the panel to a silver panel.

 

Remember When
by Anita Byers

Apply a base coat of ivory acrylic paint to a Square Wooden Box (5KABOXSQR). Antique with brown acrylic paint. Cut images and words from Vintage Toys Decoupage Sheet (5CPTOYS) and affix to box using GOLDEN® Regular Gel (Matte) (5GO-3030). Notice how special this box is, with the images inside the box, and even on the bottom of the box! Attach buttons from the Primary Accent Kit (5PB-AKPRIM - Discontinued) around box using the same Gel medium. Attach feet to the box, and finish the entire box with an acrylic finish.

 

Other Project Samples Using This Product:
     
     
     
Family
Collections from Paris Journal
     
Sun Signs Tag Book
     
Lily Of The Valley Tin
Dreaming of Paris
     
Star Gift Box