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Belle Armoire®
September/October 2005

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September/October 2005
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Click here to take a look inside our September/October 2005 issue!

   
 

SPECIAL FEATURES

122 An Artful Journey: Beading with the Maasai
by Jo Ann Feher
Two years ago, the author made a life-changing journey to East Africa. Now she’s returning with gifts of seed beads and hands of friendship to share with some of the most talented bead artists in the world: the Maasai!

24 Wear It Naturally: Gourd Jewelry
by Linda O’Brien
Gourd scraps, leather dyes and a few found objects are all you need to make autumnal adornments you’ll wear with pride.

30 Knit with Beads!
by Virginia Gibbs
Whether you knit by hand or machine, adding beads to your knitwear is a terrific embellishment option.

DEPARTMENTS

8 On the Surface
Falling Leaves: An Easy Batik Scarf
by Michelle Newman
If you’ve always wanted to try your hand at batik-painted silk scarves, the author shares her straightforward path to success.

10 Threads
Fiber Collage Necklaces

by Elizabeth Smithwa
They can be as simple or as complex as you like! The artist shares her methodical process of twisting and wrapping fibers into collage necklaces embellished with beads, charms and found objects.

16 Accoutrements
Wear Your Memories with Altered Jackets

by L.K. Ludwig
“Nothing compares to creating art that incorporates your own photographs and personal collections of memorabilia,” says the author, who shows us how to use easy dye processes and photo transfers to alter thrift-store jackets into creative clothing.

26 The Professional Artist
by Sarajane Helm
The author teaches you how to market your wearable art.

28 Material Differences
African Mudcloth

by Sally Anne Artese
“Authentic Mud Cloth is easily identifiable,” says our cloth expert. Look for hand-stitched, long strips of fabric stained with earthy colors and painted with traditional African patterns.

37 Cover Story
Clay Arts: Faux Dichroic-Glass Pendants

by Jo Aldridge
A self-described “human magpie,” the author admits to being attracted to “anything sparkly or shiny – particularly dichroic glass.” Persistence and creativity led to her discovery of a brand new technique for simulating the look with polymer clay, and now you can do the same.

Sept/Oct 2005
ON OUR COVER

Faux Dichroic-Glass Pendants by Jo Aldridge grace the cover of this issue. You can read more about her technique in Clay Arts, page 37.

46 Designer Collection
Murielle Arlin

by Ricë Freeman-Zachery
From her sleek, sophisticated suits and jackets to the colorfully funky pieces in her Carnival Collection, Murielle Arlin’s knitted art-to-wear flatters both the young and the young-at-heart.

54 Salon
by our readers
Art-to-wear garments, beaded jewelry, polymer clay, scarves and other fashion accessories – 15 pages of glorious artwork, and it’s all handmade by our creative and talented readers

96 Tapestry: Le Beade
by Beth Campbell
On a recent trip to Rome, Italy, the author pursues a treasure hunt to find le beade (the beads).

 

FOR YOUR INFORMATION

2 Letter from the Editor

68 The Artist’s Library
Book reviews by Sylvia Valle & Sharilyn Miller

72 Happenings
A calendar of conventions, workshops & tours

76 Into the Wardrobe
Next issue offerings

77 Details
by our readers
Learn more about the items found on our Salon pages.

87 Submission Guidelines
You can be published!

88 Advertiser Index
Find our advertisers with this handy index!

90 Fabric Painting Basics
How to get started

91 Polymer Clay Basics
Tips & tricks for success with clay

92 Beading Basics
What you need to know

94 Block Carving & Fabric Stamping Basics
Exploring the possibilities

95 Understanding Fabric Paints
Some helpful information

SPECIAL ADVERTISING

85 Online Connections

85 Destinations

85 Catalog Collection 85 Bead Bazaar

 

PHOTO CREDITS

Sylvia Bissonette: Cover and pages 8, 11-12, 17-18, 20, 24, 28-29, 33-34, 39, 41, and 58-70.

Emily Arata: Pages 16, 19, 32, 34-35, 40, 42, and 61.

Lorin Backe: Pages 13 and 67.

Below are pages from Belle Armoire, September/October 2005.
Falling Leaves: An Easy Batik Scarf
Khaki and charcoal-black is a classic color combination. This handsome scarf can be made easily at home using a wax-resist technique that is very easy to master. “Even beginners who have never painted a scarf before will have great success with this process,” says author Michelle Newman, a frequent contributor to Belle Armoire.
Fiber Collage Necklaces
You’ll love making these necklaces! They’re great for using up small amounts of yarn, fibers, and cording while making a special piece to match any outfit. Best of all, the necklace design is very easy to duplicate using basic fiber techniques like twisting, wrapping and sewing.
Wear Your Memories with Altered Jackets
“Nothing compares to creating art that incorporates your own photographs and personal collections of memorabilia,” says the artist, who shares her techniques for using photo transfers and easy fabric dyeing techniques to transform thrift-store jackets into creative clothing.
Cover Story: Faux Dichroic Glass Pendants
“Being a ‘human magpie’ and in love with anything sparkly or shiny,” says the artist, “I’ve always been entranced with dichroic glass and interested in translating the look into polymer clay. The method I’ve come up with requires no sanding, and the results are stunning, even for beginner- to intermediate-level polymer-clay artists.”
Designer Collection: Murielle Arlin
by Ricë Freeman-Zachery
If your idea of knitwear is one of drab, serious garments worn mostly by Women of a Certain Age, forget that notion right now. Murielle Arlin’s sleek, sophisticated suits and jackets and colorfully funky pieces were designed to flatter both the young and the young-at-heart.
Salon:
13 Full-Color Pages of Our Readers’ Art-to-Wear!
 
 
     
submission guidelines
ed. departments